Maybe Fincher was perfect for the Jobs movie after all
Sony Pictures is looking to replace David Fincher as director of its highly anticipated Steve Jobs movie due to his aggressive demands for compensation and control, according to several sources.
But wait, here comes the best part…
Fincher is said to be seeking a hefty $10 million up front in fees, as well as control over marketing, in negotiations with the studio. Sony allowed him considerable input into the marketing of the 2011 film The Girl With the Dragon Tattoo, including honoring his request to use the tagline “The feel bad movie of Christmas” in its campaign. A source says Fincher also had the studio create metal, razor-blade-shaped one-sheet materials for the film that cost hundreds of thousands of dollars to produce but were not suitable for display in theaters.
Control over marketing? Can’t imagine who else had that problem.
Microsoft leaker scroogled by Hotmail
From CNet:
Microsoft went through a blogger’s private Hotmail account in order to trace the identity of a source who allegedly leaked trade secrets.
A court filing reveals that the company’s Office of Legal Compliance approved the decision after confirming that the leaked data in question included proprietary Microsoft code.
But wait, before you grab that pro-privacy pitchfork…
Legally, Microsoft appears to be protected by its privacy policies. The policy for Outlook.com, formerly Hotmail, states that, “We may access information about you, including the content of your communications…to protect the rights or property of Microsoft.”
Dat fine print, am i rite?
David Fincher thinks Christian Bale is the Steve Jobs we deserve
As reported by The Wrap:
Fincher recently met with Sony’s Amy Pascal to discuss the possibility of directing the film, and told her, in no uncertain terms, that he’d only take the reins of the project if Bale plays Jobs.
Fincher and Pascal had a tense relationship during the making of “The Girl With the Dragon Tattoo,” but Pascal believes in him as a filmmaker — and is inclined to keep him happy, according to one insider. It helps that Pascal has a good relationship with Bale, following a positive experience on “American Hustle.” The film earned Bale an Oscar nomination during a highly-competitive year.
An interesting, if odd choice. That said, Bale is one of the better character actors working in Hollywood right now. He rarely takes on a part that doesn’t require some sort of physical transformation, so Jobs would fit that bill quite well. Part of me still wonders if this movie is really needed? I realize the same was said of The Social Network back in 2010, however, that story didn’t already have two filmed adaptations preceding it.
This whole project strikes me as unnecessary, and frankly, too late.
Drake takes Rolling Stone to task… for honoring the dead
What an awful life Drake, a.k.a. Wheel Chair Jimmy, must live. Not only did his latest album Nothing Was the Same debut at number one, but it also sold over a million copies, and earned him three subsequent Grammy nominations. As you can imagine, life at the top is tough.
So when Rolling Stone magazine bumped Drake’s cover story for one about the recently deceased Philip Seymour Hoffman, it drove the rapper/thespian/Raptor’s Ambassador to a Twitter tirade:
I don’t know about you guys, but I have to side with Drizzy on this one. How dare Rolling Stone use up valuable cover-space for a dead person!? Last I checked, and I did some fact checking on this, Drake is (in fact) alive. As a result, he probably has more to say.
And to Rolling Stone I ask: How do you sleep at night? Don’t you understand you are preventing Drake from giving his music to the people? Clearly the man is hurting for money. He started from the bottom. Do you even know what that is like? Did Philip Seymour Hoffman even start from the bottom?
Actually wait, let me just check your cover story on him…
He didn’t. He came from an affluent family. Can’t you see how this move is putting down the strife of the working man? After all, Drake came from the ghettos of the Toronto’s suburb. Not only was he not the lead actor on a internationally acclaimed television show, he had only an entire basement to himself when he lived with his mother. Right by (at the time) Paramount Canada’s Wonderland, no less. Can you imagine the horrors of living next to Theme Park all summer? Having to hear the distant roar of ride’s like Top Gun and the Tomb Raider all day?
Well, don’t worry Jimmy. We’ve got your back at Vinyl Collective. You have worked insanely hard to get were you are. That’s why you occasionally need to cancel your shows. Or show up to Drake Night at the AAC and not even have the energy to sing for the crowd (Although, still have the courage to stand behind your personal DJ as he spins one of your singles). You are a shining beacon of hope in a world overcome with self-importance and laziness.
Finally, we’re also sorry you didn’t like Kanye’s latest record and had to talk about it behind his back. It must have taken a lot for you to be that blunt about your friend’s work. After all, you two party together.
We can only hope this article helps right the many wrongs you have incurred over the past few months. Take the day off today, Drizzy. You worked too hard at being too good to us.
Source: Pitchfork
This article originally appeared on Vinyl Collective
GameInformer: How Inner Turmoil Brought Down LucasArts
Former LucasArts employees sound off on the inner workings of this legendary studio.
Andrew Reiner:
A similar situation arose with Star Wars: The Force Unleashed’s protagonist, Starkiller. “[That name] was only supposed to be a nickname or call sign, not a proper name from the beginning,” a former LucasArts employee says. The development team hoped that Lucas would give Vader’s apprentice a Darth moniker, which at the time, was something that didn’t happen often.
“The team threw a Hail Mary to George, saying the game would have more credibility if the apprentice had a ‘Darth’ title,” a Force Unleashed team member says. Lucas agreed that this situation made sense for Sith royalty, and offered up two Darth titles for the team to choose from. “He threw out ‘Darth Icky’ and ‘Darth Insanius.’ There was a pregnant pause in the room after that. People waiting for George to say ‘just kidding,’ but it never comes, and he just moved on to another point.”
And to think, George still has a say in the upcoming Star Wars films.
Twitter still doesn't quite know what it is
From Engadget:
Select users are reporting that their Twitter profiles look now look like a cross between Google+, Pinterest and Facebook, complete with large header photos (up to 1500 x 1500 pixels), left-aligned profile images and flat content cards representing each tweet. The entire redesign is a jarring departure from the Twitter norm, but it’s that last element that proves to be the most disruptive: rather than piling up in the normal vertical fashion, the new card layout allows tweets to lay side by side, a fundamental change in how Twitter displays content.
While the design in and of itself is nice, part of me wonders why move away from simplicity? Twitter’s charm comes from its easy to navigate chronological structure. If a major news story breaks, you can wade through a timeline of events. In this new proposal, tweets take on a certain level of abstraction and selfishness. Twitter has been, to this point anyways, about the collective. Not the individual.
So why change now? Well, It could be a reaction to the company’s recent earning’s report. Growth and sharing has slowed, while revenue continues to be non-existent. A stark contrast to Facebook.
Another reason might be seeded deeper in the company’s DNA. As documented in Nick Bilton’s Hatching Twitter, neither co-founder (be it Evan Williams, Jack Dorsey, Biz Stone or Noah Glass) could agree on what Twitter was supposed to be. Glass and Dorsey saw the service as a means to share one’s status with friends. Williams saw it as way to broadcast what was happening in the world to the world.
Somewhere along the way, Twitter’s very enthusiastic user-base figured out a way to use the service in whatever way best suited them. It led to the creation of hashtags, @ replies, and parody accounts, some of which was initially frowned upon by the Twitter team but ultimately implemented into the platform. What users are not asking for, however, is an improved timeline experience.
Of course Twitter is now a publicly traded business and with that comes a responsibility to its shareholders and quarterly forecasts. Perhaps bringing the design inline with emerging services like Instagram and Facebook will increase the user-base (Twitter’s 250 million vs. Facebook’s 1.2 billion) and in turn generate more profits. Or maybe it will further aggravate an already growing number of Tweeters who’ve had their favorite apps and services shut down to Twitter’s ever-tightening restrictions.
Simplicity, it seems, may no longer be an option.
The death of Flappy Bird. A.K.A. This is why we can't have nice things
Nguyen has several other top app store games, including Super Ball Juggling and Shuriken Block, which are currently #6 and #18 on the iOS store, respectively. Nguyen says that he has no plans to remove those games, which he termed “harmless.” If he thought users were getting addicted, however, he said he would not hesitate to also take them down.
In mulling whether to pull Flappy Bird, Nguyen said that it was guilt – atop the fact that “my life has not been as comfortable as I was before” – that motivated him. “I couldn’t sleep,” he said. He added that his conscience is relieved; he spent the past few days, Internet-free, catching up on slumber.
“I don’t think it’s a mistake,” he says. “I have thought it through.”
It’s strange to see, and I can’t think of a reason why Nguyen would be dishonest about his feelings, a developer looking out for the best interests of his/her audience. EA could learn a thing or two from his debacle.
With that said, should a game’s designer feel responsible for his audience? While I appreciate Nguyen’s insistence that his game was meant to be played “in a few minutes when you are relaxed”, it’s a touch naive to think a game as unforgiving as Flappy Bird might be considered relaxing.
Or perhaps that’s the larger question: What’s happening in Vietnam where hopelessness is considered a past-time?
More people are using Windows 8 than Vista. That's the good news.
The Next Web has some interesting numbers regarding desktop marketshare. Despite making some gains since it’s free update in October, Windows 8 has only managed to take over 10% of the market. A far cry from Window 7’s 47% share and XP’s 30.
Another shocker, 3% of the market is still using Vista.
Unsurprisingly, Microsoft is said to be restoring Windows 8 back to its Start-button roots in a upcoming update.
Who needs integrity when you have Jay Leno
The Leno roller-coaster keeps climbing:
CNN aired a look at Jay Leno's life and career Friday, but the special omitted a key part of the story – CNN head Jeff Zucker’s role in the famous 2009 Leno-Conan O’Brien late night debacle.
Zucker ran NBC during Leno’s first transition from The Tonight Show, and famously promised Conan O’Brien he would get the job in 2009. Seven months later – after slipping ratings and O’Brien publicly attacking the network, Leno was restored to his former perch as Tonight Show host and O’Brien left the network.
Forget protecting his self-image, word is Zucker wants Leno to jump ship to CNN. Middle-Americans stuck in Airports around the world will no doubt welcome this news, since that’s about the only place left that airs CNN.
In other news, remember that 60 Minutes interview with Leno? Turns out he asked for it.
Jay Leno’s Sympathy Tour (Act II) officially begins
Hey, did you hear the one about Jay Leno going on 60 Minutes and acting like a victim?
Jay Leno: I always tell new people in show business. I say, “Look, show business pays you a lot of money, because eventually you’re gonna get screwed. And when you get screwed, you will have this pile of money off to the side already.” And they go, “OK, OK. OK, you ready? You ready?” “I got screwed.” “You got the pile of money?” “Yeah, I’m fine.” I mean, that’s the way it works. I mean, you know, that’s— that’s the way these things are. That’s the way it happens.
Jay is, of course, a saint who has never screwed over anyone for personal gain.
Steve Kroft: You were the bad guy. You were portrayed as being the bad guy.
Jay Leno: Yeah, I didn’t quite understand that. But I never chose to answer any of those things or make fun of any of the other people involved. It’s not my way. And you just go and you be a comedian and you do what you do.
Again, Jay’s selective memory rears its ugly head. Why ever would anyone hate Jay? Not because his bumping Conan from The Tonight Show was oddly reminiscent of his bumping Letterman from The Tonight Show a decade earlier?
Nah, a coincidence no doubt.
Meanwhile, during an interview with The Hollywood Reporter, Jay had this to say about the various slings and arrows from his follow late night hosts:
So you just take it as Kimmel takes shot after shot?
I don’t think it gets you anything [to respond]. You mention Jimmy Kimmel, I’ve never answered any of his things. I pick up The New York Times and it’s, “Fuck Jay Leno,” “Fuck Jay Leno.” And I go, “OK, based on what?” But it’s fine. I think he’s a funny guy. I did his show and I didn’t have any problem with him. He comes from radio where you pick a fight with the other guy. I don’t do that. It’s fine. There’s plenty of room for everybody.
I guess Jay forgot about this little anecdote that Kimmel recalled during an interview with Rolling Stone last March:
In 2008, as Leno was plotting a jump from NBC to ABC, he started calling Kimmel “three times a week,” Kimmel says. Leno intended to do an hourlong ABC show at 11:30, which meant persuading Kimmel to move back a half-hour, to 12:30. “He needed me to be OK with it, because my time slot is written into my contract,” Kimmel says. “If they move me out of my slot, I become a free agent – and I had tons of interest from other networks at the time.” When Leno’s ABC deal evaporated, however, Kimmel says, Leno’s calls abruptly ceased, giving the lie to what had seemed like a burgeoning friendship. Kimmel’s feelings were hurt. “That made me feel stupid,” he says.
Meanwhile, Back at 60 Minutes:
Steve Kroft: You would have liked to have stayed?
Jay Leno: It’s not my decision. And I think I probably would have stayed if we didn’t have— an extremely qualified, young guy ready to jump in. If they said, “Look, you’re fired. We don’t know who we’re gonna get. We don’t know what we’re gonna put in there. But anybody but you, we just want you out of—” I would be l— hurt and offended. But this makes perfect sense to me. I understand this.
Steve Kroft: You would have preferred to stay?
Jay Leno: Well, it’s always nice to keep working. Sure it is. Sure it is. But am I extremely grateful? Yeah. Do I understand the circumstance— yes, of course.
That sound you hear is Bill Carter securing another book deal.
Jay Leno: —I think because you have— talented people will only wait so long before they get other opportunities. And you don’t want to lose that opportunity. That makes sense to me. And I thought Jimmy’s (Fallon) been extremely gracious and polite.
Steve Kroft: You said all of the same things, exactly about Conan.
Jay Leno: Huh? Did I say the same things? Yeah, prob— well, maybe I did, yeah. Well, we’ll see what happens.
Oh, Jay. Will you ever learn?
NIGHTNIGHT by DEDDY
